Dean Sameshima
Public Sex

Opening Reception
May 5, 8-10pm

On view
May 5 - June 3, 2016 (Thursdays-Saturdays: 12-6pm, and by appointment)

Screening: Taxi Zum Klo (1981)
May 3, 8pm

Ryan Hawk: Performative Response
May 13, 7pm

Dean Sameshima, Untitled (Numbers, Ode to Johnny Rio), 2008
Painting - acrylic and silkscreen on canvas
Courtesy Peres Project, Berlin and the artist

Courtesy the artist/cruiseorbecruised

Dean Sameshima, FuckerCum, 2012-2013
Acrylic and silkscreen on canvas
Courtesy GAVLAK, Los Angeles, and the artist

Dean Sameshima, Pleasure Doesn't Really Make You Happy, 2011
Painting - Silkscreen ink, artist's piss and anonymous cum on canvas
Courtesy of Peres Projects, Berlin and the artist

Nearly twenty years ago, Dean Sameshima began photographing historically active gay cruising grounds in and around Los Angeles—hidden corners of Griffith Park, scratchy erotic drawings on the stalls of public restrooms, and exteriors of recently closed bathhouses and leather bars. From this early series, entitled Wonderland (1996/97), Sameshima laid out the core concerns of his artistic practice: the politics of identification under regimes of corporeal rigor, and the tension between surveillance and concealment, especially in regards to sex in public.

Dean Sameshima: Public Sex gathers together emblematic works from across the artist’s career to consider his particular brand of photo-conceptualism, and its intrinsic relationship to the radical erotic possibilities that archives can offer. By mining historical ephemera from queer sexual cultures, Sameshima’s work poses an alternative to a particularly pernicious brand of assimilative gay politics that suggests all LGBTQ people aspire to normalcy. Filled with loss, ecstasy, and humor, his photographs and silkscreened paintings invest in a cosmology of queer (anti-)heroes whose trajectories are anything but normal: Texas-born hustler/novelist John Rechy, punk musician Darby Crash, artist Felix Gonzalez-Torres, and novelist-filmmaker Jean Genet, amongst many, many others.

Sameshima moved from Los Angeles to Berlin a decade ago, and in 2011 he began to support his artistic practice, in part, by selling editions, artist’s proofs, dip-dyed t-shirts, and small paintings through his Etsy store, CruiseOrBeCruised. Engaging with the labor and business of artistic production—Sameshima is one of only a handful of Etsy users with gallery representation—CruiseOrBeCruised is presented in this exhibition as an extension of Sameshima’s conceptual practices, set within the concerns of his larger body of work.

Dean Sameshima: Public Sex is curated by Core Fellow/Critic-in-Residence, Andy Campbell and is being presented by the Core Residency Program, Glassell School of Art in partnership with Dan Fergus, Brasil Café, and She Works Flexible.

Media contact: andycampy (at) gmail (dot) com

Dean SameshimaPublic Sex

Dean Sameshima
Public Sex